Guitar Hack: The One Lick Guitar Solo
A lot of aspiring guitarists get sucked into in learning as much material as they can.
Gaining more knowledge becomes it’s own pursuit and students can get so caught up in learning new licks, riffs and solos all the time that they never stop to actually learn how to use it.
When I was starting guitar I had a thirst for knowledge and bought every book, dvd and magazine I could get my hands on and no matter how much resource material I had, it was never enough. I could play guitar very well and knew a tone of licks but found whenever I learned new things I would quickly forget the old ones.
I also found that I could play things in isolation but struggled to tie any of my ideas together cohesively. This was a major source of frustration for myself and a problem I see facing countless other guitarists as well.
Learning new licks
Upon reflection I found that learning things and constantly trying to find new information to fill in the gaps of my knowledge was going to turn into a neverending quest.
I decided to change my thought process from ‘I need to learn 200 licks’ to ‘I need to learn how to play one lick 200 ways’ The first comes from a repertoire perspective while the latter focuses on creativity, something that a lot of guitar players don’t start to develop until they’ve all been for several years.
12 Bar Blues Chord Progression Example
If we take a standard 12 bar blues progression in the key of A, there is the opportunity to play 12 different licks comfortably (one per bar). Rather than try and think of 12 different licks I am going to show you how to take one lick and change it to match each chord.
This will allow you to play one idea throughout the solo (saving you heaps of effort) and due to the consistent rhythmic motif behind heard by the listener, will make you sound like a pro right away.
Our lick is a 6 note idea using the middle two strings of the A Minor Pentatonic Scale. It uses 8th notes and shouldn’t be tricky to play. It’s important to visualise it as a 4 note box pattern because when you go to the D chord you want to change the 5 & 7 to 10 & 12 so that it matches the D Pentatonic Scale. When you go to the E Chord you want to change 5 & 7 to 12 & 14 to match the E Pentatonic scale. You are literally playing the same idea in 3 different places but as the chord changes it will sound new to the listener. Here’s how it looks in a solo.
You can play an entire blues chorus using the same lick and all you need to do is move the notes to fit the chord that is being played. If you have to solo for a 2nd or 3rd round then you only need two more licks. If you had 10 licks you could play over 10 rounds using the same idea.
At some point you are going to want to change the ideas up and as you advance your skills and repertoire of licks you’ll be able to expand on these ideas and change them on the fly, but this a great way to get some really great sounding solos right away. Try coming up with your own licks and applying the concepts you’ve learned in this lesson.
About The Author
Michael is a progressive metal guitarists and highly sought after guitar teacher in Melbourne, Australia. He has helped countless students improve their improvisational skills through the application of really simple concepts. If you’d like additional resources or help with your own playing get in touch.